She's robed in white mourning, varied artfully in texture and cut from layer to layer and panel to seamless panel. Above the neckline is a face of improbable - well, entirely probable, deliberate, intentional, inspired - symmetry and smoothness, chocolate eyes blinking darkly from ivory under matching chocolate hair, worn up in twin clusters of braids plaited to each other and wound into half-spheres at the base of her skull on either side. She's only wearing two articles of jewelry: a brooch pinned to the top of one sleeve, and a necklace of black chain from which hangs a long black pendant tipped on each end with a clear cabochon.
She looks young. Haut age well, but there is no experienced gravity to her expression, no "well-preserved" look about her eyes or her lips. She could easily be younger than Miles.
no subject
She's robed in white mourning, varied artfully in texture and cut from layer to layer and panel to seamless panel. Above the neckline is a face of improbable - well, entirely probable, deliberate, intentional, inspired - symmetry and smoothness, chocolate eyes blinking darkly from ivory under matching chocolate hair, worn up in twin clusters of braids plaited to each other and wound into half-spheres at the base of her skull on either side. She's only wearing two articles of jewelry: a brooch pinned to the top of one sleeve, and a necklace of black chain from which hangs a long black pendant tipped on each end with a clear cabochon.
She looks young. Haut age well, but there is no experienced gravity to her expression, no "well-preserved" look about her eyes or her lips. She could easily be younger than Miles.
She holds out her hand.